# Consequence Test - Chapter 11

- `STATE-CHANGED(knowledge / self-understanding / social standing) - scene 1 ("The repaired corner was better than it had any right to be.") - type: proactive - change: June enters to help with a practical frame pickup and exits knowing that the cohort's private arrangements have practical consequences when forms, leases, and emergency access require a name. Evidence: Dom's form asks `RELEASED TO. RELATIONSHIP TO TICKET HOLDER. PHONE.`, Sam says `I wasn't on the form. That's the whole story`, and Priya names the lease flare: `I don't want to sign a shared lease because five hundred a month makes being scared look responsible.` EXIT: ON-TURN at Ruth's direct question, `If the ticket had said PARK, who picks up for you?`
- `STATE-CHANGED(self-understanding / intimacy / social standing) - scene 2 ("The Saturday person at the front desk...") - type: reactive - change: June carries the frames into the studio and can no longer treat PARK / BRENNAN as harmless public shorthand; the slash is a practical question people are already answering for her. Evidence: `KIM / RIVERA had the same slash as NAIR / ADLER. So did PARK / BRENNAN.` and `Other people had been filling in that line for them since the first night at Sonia's.` EXIT: ON-TURN at `she came out onto a street full of other people's errands, carrying nothing.`

Chapter verdict: `ALL-SCENES-CHANGE`.

Weakest STATE-CHANGED scene: scene 2, because it risks internalizing a theme already stated in scene 1. It survives because the chapter closes through physical handling of frames/cubbies/receipt and the deleted text, not a spoken explanation.

REVISION ORDERS: None.
