# Consequence Test - Chapter 07

STATE-CHANGED(knowledge / intimacy / self-understanding) - scene 01 (assignment card, lines 1-4: "PAINT YOUR PARTNER FROM MEMORY.") - type: setup epigraph - change: the Tuesday class premise is established as memory without model/photo, forcing attention to become evidence rather than observation. EXIT: ON-TURN.

STATE-CHANGED(knowledge / intimacy / social standing / commitment) - scene 02 ("June saw the trap from the doorway..." line 8) - type: proactive-to-reactive class scene. Goal: June wants to paint a plausible, safe Theo. Conflict: the Ch05 details return against her plan: "the right collar point up" and "left corner pulled lower" (line 40); the roll in her tote tempts an illegal-feeling consult (line 42); her eye-color gap becomes visible (line 60). Setback: the painting becomes public artifact, and Theo's reciprocal panel proves he has also been looking. Change quoted: "He had the scarf right" (line 68), "I know. It's the one I had" (line 82), "His panel... did not go on the rails with the others" (line 112), and "She wrote THEO BRENNAN... no pause" (line 118). EXIT: ON-TURN - the chapter exits on June leaving the evidence face-out and accepting Priya's earlier care move, "She went and ate the clementine" (line 120).

Weakest state-change considered: Ben's look-and-reset beat ("You looked. Now you know less. Again.", lines 48-50). It is a local rule demonstration rather than the chapter's core change, but it survives because it escalates the assignment's stakes before June's own forbidden-roll temptation.

Chapter verdict: ALL-SCENES-CHANGE.

REVISION ORDERS: none.
