# Chapter 01 Sensory-Checklist Audit

Target: `output/chapters/chapter_01.md`

Gate trigger: `fieldguide-sensory-checklist` WATCH at line 99: `smelled of pine and bubble wrap and held the show's empty crates, foam-lined,`

## Entrance Table

| order | location / setting movement | quoted evidence | senses invoked | smell count |
|---|---|---|---|---:|
| 1 | Marchetti Rooms opening, entry/front desk | "took a program from the front desk"; "half the people...stand in front of it" | visual/social blocking; paper object | 0 |
| 2 | North wall approach | "upper left quadrant of the painting between two heads"; "man in the green scarf" | visual/sound through overheard speech | 0 |
| 3 | South wall retreat | "study a painting of a stove she did not care about" | visual | 0 |
| 4 | Cleared north wall / painting encounter | "window, pot, cups, towel, ground"; "ten in the morning in an unheated room" | visual; temperature as inferred image | 0 |
| 5 | Public offer zone near north wall | "conversations nearby dropped"; "nearest dozen people" | sound/social blocking | 0 |
| 6 | Stockroom | "The stockroom smelled of pine and bubble wrap and held the show's empty crates, foam-lined, labeled in a tidy hand." | smell/texture/visual handling inventory | 1 main smell phrase |
| 7 | Front desk list | "one typed sheet...Seven lines of names" | visual/paper object | 0 |

## Verdicts

1. `VARIED` - The strongest counter-candidate is the stockroom line: "smelled of pine and bubble wrap." It does not become a three-smell room inventory; it names the handling/storage smell June would clock, then moves immediately to crates and labels.

2. `VARIED` - Longest consecutive smell streak: 1. No other location entrance carries a smell description. The gallery is introduced through crowd geometry and programs; the north wall through sightlines; the list through paper and names.

3. `VARIED` - No uniform sensory bundle appears at entrances. The chapter varies scene-setting by social blocking ("backs to it"), paper/program objects, overheard speech, painting detail, eavesdropping quiet, storage smell, and clipboard/list visual detail.

4. `VARIED` - The chapter exercises the variation standard. Several rooms do not smell like anything worth mentioning: "took a program from the front desk," "retreated to the south wall," and "one typed sheet" all pass without sensory inventory. The important recurring sense is sight, which fits June's painter/installer focalization.

5. `VARIED` - The stockroom sensory detail is selected rather than interchangeable atmosphere. "pine and bubble wrap" belongs to crates, packing, and art handling, and the paragraph turns on June reading the crate label for `Winter Kitchen`, not on atmospheric perfuming.

## Revision Orders

No revision ordered. Keep the stockroom line because it is the one storage-world cue June would notice and it does not establish a repeated sensory checklist pattern.

OVERALL: VARIED
