# Consequence Test - Chapter 13

- STATE-CHANGED(intimacy / self-understanding) - scene 1 ("June clipped Theo's index card...") - type: proactive - change: June enters wanting to honor Theo's memory without trespass and exits having made a painting that refuses both sentiment and bleakness: "Tonight she had been asked to leave one unrescued and still worth looking at." EXIT: ON-TURN.
- STATE-CHANGED(intimacy / knowledge) - scene 2 ("She needed paper towels...") - type: reactive - change: June sees Theo has painted her erased-wall memory accurately enough to make the entrusted memory reciprocal: "He had painted the minute when knowing still mattered..." EXIT: ON-TURN at "she did not look again."
- STATE-CHANGED(commitment / danger) - scene 3 ("At eight, Odile rapped...") - type: proactive - change: Odile turns December into public clock and June/Theo originate `After Class`: "`This room,' she said. 'After class.'" and "`Same room,' he said. 'Two views.'" EXIT: ON-TURN after subject is marked.
- STATE-CHANGED(social standing / intimacy / danger) - scene 4 ("By nine, the panels were...") - type: proactive - change: flyer-photo pressure makes June choose a public kiss that is no longer only cover: "June turned and caught Theo's jacket lapel" and "starting it had not made the next second belong to her." EXIT: ON-TURN at Mara's delayed-photo offer and June's "Tomorrow."
- STATE-CHANGED(knowledge / danger / commitment) - scene 5 ("On the sidewalk Theo said...") - type: reactive - change: the joint panel logistics continue while Nia's formal Philadelphia offer becomes concrete and private: "PHL board said yes..." and "screen down against the roll of drawings... against Theo's card." EXIT: ON-TURN.

Weakest STATE-CHANGED scene: scene 5 is brief, but it survives because the phone text creates a new decision clock and June actively withholds it from Theo while placing it against his memory card.

Chapter verdict: `ALL-SCENES-CHANGE`.

REVISION ORDERS: none.

